Writers in the Mountains
est. 1992
Imagination Unbound
Writers in the Mountains (WIM) is a non-profit organization dedicated to promoting the literary arts in the Catskill Mountains and beyond. The organization serves a diverse community of writers and readers, from native-born residents to the summer visitors who migrate to the region from all over the world. In addition to offering a variety of creative writing workshops, WIM hosts numerous literary events and partners with other organizations in the community for the enjoyment of the written word.
2020 Literary Festival
ADMISSION TO THE GENERAL PUBLIC IS FREE.
Read about our 2020 Literary Festival here.
POSTPONED
Our News
Our Story
Writers in the Mountains (WIM) is a (501) (c) (3) non-profit organization whose mission is to provide a nurturing environment for the practice, appreciation and sharing of creative writing.
Founded in 1992 by Shelley A. Barre, the organization serves the entire Catskill region and Hudson Valley area, and offers a variety of creative writing workshops and other events year-round. The quality of our workshops and their affordability attract a wide range of participants from native-born residents to the summer visitors who migrate to the Catskills from all over the world. Our writers come from all backgrounds and levels of experience, and write in various genres and styles. Some are New York Times bestselling authors, and others have never written before.
In 2014 WIM ventured into yet another arena: it launched an annual literary festival for authors and publishers in the Catskills and Hudson Valley area called Writers Unbound (formerly known as “Meet the Authors”). The festival takes place every year in April at Union Grove Distillery in Arkville, New York, and features poetry readings, a publishing panel, an illustrators’ moment, a segment dedicated to fiction writing, and a new release. The keynote speaker in 2020 is Beth Lisick. She is a writer, actor, and the author of five books, including the New York Times bestseller Everybody Into the Pool. Her work has been published in various magazines and journals, including Best American Poetry. She co-founded San Francisco’s Porchlight storytelling series, traveled the country with the Sister Spit performance tours, and received a Creative Work Fund grant for a chapbook series with Creativity Explored, a San Francisco studio for artists with developmental disabilities. Beth has appeared in films that have screened at Cannes, Sundance, and the San Francisco International Film Festival. Her first novel Edie on the Green Screen was just published by 7.13 Books. She is a resident of Brooklyn and West Hurley. Her website is bethlisick.com.
LISTEN TO THE KAATSCAST LITERARY PODCAST TO LEARN MORE
ABOUT WRITERS IN THE MOUNTAINS
Kaatscast is produced by Silver Hollow Audio and promotes the culture of the Catskills
Hear more in this WIM episode from Kaatscast,
a Catskills podcast from Silver Hollow Audio.
What People Are Saying
Creative Nonfiction Workshop with Anique Taylor
“I’m excited to take this course. Anique provides interesting reading assignments, meditations, writing exercises, and examples that can be applied to your work in progress. The class also offers an opportunity to share your writings and gain valuable feedback from Anique and fellow classmates. It’s a warm and supportive environment. I highly recommend this course.”
- Heather Marsten, Woodstock
Melisse Seleck, Phoenicia
Take A Class
Our workshops are geared toward all styles, genres, and experience. All that is required is a love of language and the desire to tell a story. Those who take our workshops are assured a supportive environment, providing a better understanding of the pleasure of creative writing process. All of us are capable of intellectual and imaginative things, and WIM offers a variety of programs to help you to express your creativity.
In addition to creative writing workshops, WIM hosts the popular Writers Unbound Annual Literary Festival, and the informal Random Context Quarterly Literary Salon, which offers writers in every genre the opportunity to read their work to a welcoming audience in a cozy setting, and network with fellow publishing professionals.
MICRO MEMOIR with Linda Lowen
January 8 -
February 12
Fridays
(six sessions)
10 am – 12 noon
ONLINE
Memoir doesn't have to cover decades to tell a story. Sometimes a single moment, vividly depicted, illuminates a life. If you’ve wanted to write memoir but are overwhelmed at the immensity of the task—or you’re already writing but need a fresh approach—consider micro memoir. The smaller format can be freeing, allowing you to focus on an event that serves as a microcosm of the larger experience. In this workshop you’ll write short 200-word pieces and discover less is more. Weeks 5 and 6 we’ll focus on Tiny Love Stories, relationship tales of 100 words or less, and you’ll come away with one piece suitable to submit to the New York Times column of the same name.
Class Fee: Early Registration $100 | Standard Registration: $125 | FULL CLASS. REGISTRATION CLOSED
MINI-ESSAYS AND SHORT STORIES with Jane Seitel
January 25 -
March 1
Mondays
(six sessions)
10 am – 12 noon
ONLINE
Mini, micro, flash, personal essays and short shorts may be small, but they’re mighty! Whether you choose to write fiction or nonfiction, the way you express yourself can be crafted into a literary jewel you can pass down to preserve family history, or hone for publication. In class we’ll consider possible enhancements to your pieces, how to make the words sparkle. We’ll read and discuss stellar examples which show the craft. We’ll work on mini warm-up exercises in class that you can use to start your piece at home. We’ll share our new efforts in a nurturing place. We’ll offer appreciations and insights. We’ll suggest possibilities to enhance your essays and stories. By the end of our time together, you’ll have polished work that will delight you.
Class Fee: Early Registration $100 | Standard Registration: $125 | FULL CLASS. REGISTRATION CLOSED
CREATIVE NON-FICTION SPRING
with Anique Sara Taylor
February 4, 11, 18, 25
March 4, 11, 18, 25
April 8, 15, 22, 29
May 6, 13
Thursdays
(fourteen sessions)
9 - 11 am
ONLINE
Bring the compelling and dramatic to your personal stories, essays, memoirs with the study of craft techniques of poetry, fiction and playwriting. Join us in a journey into mood, metaphor, viewpoint, dialogue and tone. Explore memory, risk, danger, dreams, your own version of reality or the perceived truth of the real world around you. We’ll combine free-writing, class exercises, short assignments, supportive class feedback and the study of non-fiction work by famous authors to hone and deepen the art of your Creative Nonfiction.
Class Fee: $220 | REGISTER HERE
Amplify and Magnify: Using Braided Form to Make Your Work Bigger with Melissa Holbrook Pierson
February 25 -
April 1
Thursdays
(six sessions)
6 - 8 pm
ONLINE
Yes, sometimes less is more. But in writing, more is often much more: weaving two or three subject threads together can yield an explosion of meaning and effect far beyond the capability of a single narrative. Braiding, as it’s known, can be a powerful technique to deepen the emotional and intellectual power of any work, be it poetry, fiction, or creative nonfiction. It can work magic on a story, whether your goal is autobiography or essay or novel. Broadening the scope of your subject fosters a paradoxical effect of sharply focusing readers’ attention. It causes them to instinctively and subconsciously look for the connective meaning of the threads you choose: Hmm, I wonder why this is here? We will practice reflective techniques for finding additional themes to amplify any writing. As in a hall of mirrors, braided work returns an image that appears endlessly deep. A piece of writing formed of several disparate parts can come together in a whole that is far greater than its parts.
Class Fee: Early Registration $100 | Standard Registration: $125 | FULL CLASS. REGISTRATION CLOSED
Confessionals, Spontaneous Prose, Cut-ups, Jazz–Poetry, and Picture Poems: Writing under the Influence of the Beat Generation with Stephanie Nikolopoulos
Saturday, March 13
9 am - 12 noon
ONLINE
Have the rules of writing stifled your creativity? Taught by an editor who understands the perils of perfectionism, this hands-on workshop will help free you from constraints and put the joy back into writing.
We’ll experiment with Beat Generation techniques to blaze our own writing paths—whatever your genre. Along the way, we’ll explore Neal Cassady’s and Diane di Prima’s confessional writing; Jack Kerouac’s spontaneous prose and jazz-poetry style; William S. Burroughs’ cut-ups; and Gregory Corso’s picture poetry. Pour yourself a cup of coffee, and come prepared to release your most expressive flow state.
Class Fee: $35 | REGISTER HERE
The Animals in Our Lives –
Poetry Workshop with Lynn Domina
April 5 - May 10
Mondays
(six sessions)
6 - 8 pm
ONLINE
Remember that gerbil you had as a child, how you took him outside one morning, how he ran off, and how anxious you were until you found him? Or think about that hummingbird you saw whirring outside your window last summer—what metaphors could you use to describe that hummingbird? How is the hummingbird a metaphor for you and your life? When you hear the word “animal,” do you first think about all of the animals that have gone from our lives through extinction?
In this workshop, we’ll write poems in response to animals, the cuddly and the fierce, the awesome and the ugly, those here now and those here no more. We’ll focus particularly on how concrete imagery and figurative language can improve our craft. The instructor will provide optional prompts as well as many sample poems.
Class Fee: Early Registration $100 | Standard Registration: $125 | REGISTER HERE
MICRO MEMOIR SPRING with Linda Lowen
May 14 - June 18
Fridays
(six sessions)
10 am - 12 noon
ONLINE
Memoir doesn't have to cover decades to tell a story. Sometimes a single moment, vividly depicted, illuminates a life. If you’ve wanted to write memoir but are overwhelmed at the immensity of the task—or you’re already writing but need a fresh approach—consider micro memoir. The smaller format can be freeing, allowing you to focus on an event that serves as a microcosm of the larger experience. In this workshop you’ll write short 200-word pieces and discover less is more. Weeks 5 and 6 we’ll focus on Tiny Love Stories, relationship tales of 100 words or less, and you’ll come away with one piece suitable to submit to the New York Times column of the same name.
Class Fee: Early Registration $100 | Standard Registration: $125 | REGISTER HERE
THE BUSINESS AND ART OF ILLUSTRATION
with Durga Yael Bernhard
Saturday, June 26 (first session)
and
Tuesday, June 29
(second session)
9 am - 12 noon
ONLINE
This class will be useful for artists who want to apply their talent to commercial use or for
anyone who wants to learn the art of visual communication. Style development, visual research, and the crucial importance of design will be discussed along with hands-on exercises and group critiques. Business aspects of professional illustration will be covered, including freelancing, self-promotion, contracts, reproduction rights, computer skills, and more. Special attention will be given to children’s book illustration if desired by the class. This is not a course in computer graphics or digital illustration.
Work on pencil sketches for three illustrations to be completed at home: a children's book character; a picture book cover design; and a scene from a story. A class critique will follow the assignment, along with discussion of principles and concepts of children's book illustration, including how to augment text; how to show transitions; how to age a character; how to choose a moment of action to illustrate; and how to pick a perspective from which to draw. Have at hand a pad of tracing paper, a pencil, and an eraser.
Class Fee: $65 | REGISTER HERE
MODERN LOVE with Elizabeth Koster
July 9 - August 13
Fridays
(six sessions)
1 - 3 pm
ONLINE
In this class, you will have the opportunity to complete an essay that you can submit for consideration in the New York Times Modern Love column. Through prompts and exercises, supportive feedback, a study of published essays, and discussions on tips and pitfalls, you will be able to sculpt and hone the story that you need to tell and the world needs to read.
Class Fee: $120 | FULL CLASS. REGISTRATION CLOSED
MINI-ESSAYS AND SHORT STORIES SUMMER
with Jane Seitel
July 20 -
August 24
Tuesdays
(six sessions)
3 – 5 pm
ONLINE
Mini, micro, flash, personal essays and short shorts may be small, but they’re mighty! Whether you choose to write fiction or nonfiction, the way you express yourself can be crafted into a literary jewel you can pass down to preserve family history, or hone for publication. In class we’ll consider possible enhancements to your pieces, how to make the words sparkle. We’ll read and discuss stellar examples which show the craft. We’ll work on mini warm-up exercises in class that you can use to start your piece at home. We’ll share our new efforts in a nurturing place. We’ll offer appreciations and insights. We’ll suggest possibilities to enhance your essays and stories. By the end of our time together, you’ll have polished work that will delight you.
Class Fee: $120 | REGISTER HERE
HOW TO SELL YOUR NONFICTION BOOK PROPOSAL
with Leslie T. Sharpe
Dates TBA
In three information-packed hours, Leslie will effectively detail what it takes to write a winning nonfiction book proposal, illustrated with several handouts. In the second half of the seminar, she will invite writers to present their projects for evaluation and input in order to best shape their own top-notch “winning” proposal.
In addition to its diversity of forms, nonfiction also offers writers (which literary fiction usually does not) the possibility of having an incomplete manuscript accepted by an agent or editor— accompanied by a strong proposal. The proposal—including elements such as an Overview of the book, Annotated Table of Contents, Author’s Platform and Market Analysis—is usually submitted with two or three chapters of text and is, first and foremost, a writing sample as well as a sales tool. What agents/editors look for in a proposal is strong writing with a clear and cogent presentation of the book’s subject and/or narrative arc, depending on the form, and a persuasive rationale for why the book should be published, and why the author is the best possible person to write it.
Class Fee: $35 | REGISTER HERE
CREATIVE NON-FICTION FALL
with Anique Sara Taylor
DATES TBA
Thursdays
(fourteen sessions)
9 - 11 am
ONLINE
Bring the compelling and dramatic to your personal stories, essays, memoirs with the study of craft techniques of poetry, fiction and playwriting. Join us in a journey into mood, metaphor, viewpoint, dialogue and tone. Explore memory, risk, danger, dreams, your own version of reality or the perceived truth of the real world around you. We’ll combine free-writing, class exercises, short assignments, supportive class feedback and the study of non-fiction work by famous authors to hone and deepen the art of your Creative Nonfiction.
Class Fee: $220 | REGISTER HERE
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